The Thinking Of The World Began Pounding In Our Ears The Moment We Hit Shore

𝙎𝙘𝙪𝙡𝙥𝙩𝙚𝙙 𝙛𝙧𝙤𝙢 𝙮𝙚𝙖𝙧𝙨 𝙤𝙛 𝙘𝙤𝙡𝙡𝙖𝙗𝙤𝙧𝙖𝙩𝙞𝙫𝙚 𝙨𝙚𝙨𝙨𝙞𝙤𝙣𝙨, 𝙩𝙝𝙚 𝙡𝙖𝙩𝙚𝙨𝙩 𝙖𝙡𝙗𝙪𝙢 𝙛𝙧𝙤𝙢 𝙥𝙧𝙤𝙙𝙪𝙘𝙚𝙧 𝙁𝙡𝙤𝙧𝙞𝙖𝙣 𝙏 𝙈 𝙕𝙚𝙞𝙨𝙞𝙜 𝙞𝙨 𝙖 𝙙𝙧𝙞𝙛𝙩𝙞𝙣𝙜 𝙥𝙖𝙩𝙘𝙝𝙬𝙤𝙧𝙠 𝙞𝙣𝙨𝙥𝙞𝙧𝙚𝙙 𝙗𝙮 𝙧𝙤𝙘𝙠 𝙢𝙪𝙨𝙞𝙘 𝙗𝙪𝙩 𝙨𝙩𝙧𝙪𝙘𝙩𝙪𝙧𝙚𝙙 𝙡𝙞𝙠𝙚 𝙖 𝙗𝙚𝙖𝙩 𝙩𝙖𝙥𝙚.

Zeisig assembled The Thinking of the World Began Pounding in Our Ears the Moment We Hit Shore from three years of sessions with various collaborators, notably more eaze’s Mari Maurice Rubio, sound sculptor Cal Fish, and saxophonist Don Lyons. This would imply Zeisig stepping into a Carlos Niño-esque role of benevolent bandleader and subsequent jam-assembler, but it’s mostly just the same few musicians playing musical chairs, and the style is consistent throughout: slow, expansive, swooning indie rock falling along a continuum running from slowcore and shoegaze through the dreamier end of emo.