Carlos Maria Trindade

𝙍𝙚𝙘𝙤𝙧𝙙𝙚𝙙 𝙞𝙣 𝙈𝙖𝙧𝙘𝙝 𝟭𝟵𝟴𝟮 𝙖𝙨 𝙬𝙝𝙖𝙩 𝙬𝙖𝙨 𝙢𝙚𝙖𝙣𝙩 𝙩𝙤 𝙗𝙚 𝘾𝙖𝙧𝙡𝙤𝙨 𝙈𝙖𝙧𝙞𝙖 𝙏𝙧𝙞𝙣𝙙𝙖𝙙𝙚’𝙨 𝙛𝙞𝙧𝙨𝙩 𝙨𝙤𝙡𝙤 𝙖𝙡𝙗𝙪𝙢, “𝙏é𝙙𝙞𝙤” 𝙘𝙖𝙥𝙩𝙪𝙧𝙚𝙨 𝙖 𝙘𝙧𝙞𝙩𝙞𝙘𝙖𝙡 𝙢𝙤𝙢𝙚𝙣𝙩 𝙬𝙝𝙚𝙣 𝙋𝙤𝙧𝙩𝙪𝙜𝙖𝙡𝙚𝙨𝙚 𝙨𝙮𝙣𝙩𝙝-𝙥𝙤𝙥 𝙬𝙖𝙨 𝙛𝙞𝙣𝙙𝙞𝙣𝙜 𝙞𝙩𝙨 𝙤𝙬𝙣 𝙫𝙤𝙞𝙘𝙚.

Intended for release on Vimúsica, the project was preceded in the same year by the single “Princesa” backed with “Em Campo Aberto”, which became the first solo record issued by a member of Heróis do Mar, arriving ahead of later solo statements by Paulo Pedro Gonçalves and Pedro Ayres de Magalhães.
Planned as the natural continuation of “Princesa”, the album was ultimately shelved following the collapse of the label, leaving “Tédio” unreleased despite being fully recorded at Angel Estúdio with production by Manuel Cardoso of Tantra. Composed of eight tracks written and performed by Trindade, the record stands as a concise synth-pop statement, balancing melodic restraint with a clear sense of intent, and revealing a parallel path to the work he was developing within Heróis do Mar at the time.

𝙁𝙤𝙧 𝙙𝙚𝙘𝙖𝙙𝙚𝙨, 𝙩𝙝𝙚 𝙤𝙧𝙞𝙜𝙞𝙣𝙖𝙡 𝙩𝙖𝙥𝙚 𝙬𝙖𝙨 𝙗𝙚𝙡𝙞𝙚𝙫𝙚𝙙 𝙡𝙤𝙨𝙩, 𝙬𝙞𝙩𝙝 𝙡𝙞𝙩𝙩𝙡𝙚 𝙝𝙤𝙥𝙚 𝙩𝙝𝙖𝙩 𝙩𝙝𝙚 𝙖𝙡𝙗𝙪𝙢 𝙘𝙤𝙪𝙡𝙙 𝙚𝙫𝙚𝙧 𝙗𝙚 𝙝𝙚𝙖𝙧𝙙 𝙞𝙣 𝙞𝙩𝙨 𝙚𝙣𝙩𝙞𝙧𝙚𝙩𝙮. 𝙉𝙚𝙖𝙧𝙡𝙮 𝙛𝙤𝙧𝙩𝙮 𝙮𝙚𝙖𝙧𝙨 𝙡𝙖𝙩𝙚𝙧, 𝙩𝙝𝙚 𝙧𝙚𝙘𝙤𝙫𝙚𝙧𝙮 𝙤𝙛 𝙩𝙝𝙚 𝙤𝙧𝙞𝙜𝙞𝙣𝙖𝙡 𝙢𝙖𝙨𝙩𝙚𝙧 𝙖𝙡𝙡𝙤𝙬𝙨 “𝙏é𝙙𝙞𝙤” 𝙩𝙤 𝙛𝙞𝙣𝙖𝙡𝙡𝙮 𝙚𝙢𝙚𝙧𝙜𝙚 𝙖𝙨 𝙖 𝙢𝙞𝙨𝙨𝙞𝙣𝙜 𝙘𝙝𝙖𝙥𝙩𝙚𝙧 𝙞𝙣 𝙋𝙤𝙧𝙩𝙪𝙜𝙪𝙚𝙨𝙚 𝙚𝙡𝙚𝙘𝙩𝙧𝙤𝙣𝙞𝙘 𝙢𝙪𝙨𝙞𝙘 𝙝𝙞𝙨𝙩𝙤𝙧𝙮.