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Radx
Reverse Acceleration Of Dragons
๐๐๐๐ญ ๐๐จ ๐ ๐ฃ๐๐ฌ ๐๐ค๐ก๐ก๐๐๐ค๐ง๐๐ฉ๐๐ซ๐ ๐๐ฃ๐๐๐๐ซ๐ค๐ช๐ง ๐๐๐ฉ๐ฌ๐๐๐ฃ ๐ก๐๐๐๐ก ๐๐ง๐ฉ๐๐จ๐ฉ๐จ ๐.๐.๐. ๐๐ฃ๐ ๐๐ก๐๐ ๐ฟ๐ค๐๐ง๐ค๐ซ๐ค๐ก๐จ๐ ๐ (ยฝ ๐ค๐ ๐ ๐ผ ๐ฟ) ๐๐ญ๐ฅ๐ก๐ค๐ง๐๐ฃ๐ ๐ ๐จ๐๐๐ง๐๐ ๐๐ฅ๐ฅ๐ง๐๐๐๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ซ๐๐ฃ๐ฉ๐๐๐ ๐ด๐ฌ๐จ & ๐ต๐ฌ๐จ ๐จ๐ฎ๐ฃ๐ฉ๐๐๐จ๐๐จ๐๐ง๐จ, ๐๐ข๐๐๐๐ฃ๐ฉ-๐๐๐๐๐๐๐ฃ๐ฉ ๐๐ช๐ง๐ฃ๐๐ฉ๐ช๐ง๐ ๐ข๐ช๐จ๐๐ ๐๐ฃ๐, ๐๐ง, ๐๐ง๐๐๐ค๐ฃ๐จ.
Referencing the electronica of artists such as Kim Cascone/Hydrosphere as well as the sci-fi literature of Michael Swanwick where dragons act as living machines, the pair combine various synthesis models, pedals and samplers for an album that sits somewhere firmly between each of their solo works. From the cathedralic ascension of โHeavenly Shepherd of Silenceโ to the back-room bean bag swirls of โOvgoโs Etheric Mindโ and dense, jungle-like humidity of โLiminal Spaceโ, the more ambient-leaning end of the catalogue is built upon further.
A1
Calm Vortex
A2
Ovgo's Etheric Mind
A3
Heavenly Shepherd of Silence
B1
Gaia Hypothesis
B2
Liminal Space






