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Various

TV, Anime & Manga New Age Soundtracks 1984-1993

๐™๐™๐™š ๐™ฅ๐™š๐™ง๐™˜๐™ช๐™จ๐™จ๐™ž๐™ซ๐™š ๐™ฃ๐™š๐™ฌ ๐™–๐™œ๐™š ๐™จ๐™ค๐™ช๐™ฃ๐™™๐™ฉ๐™ง๐™–๐™˜๐™ ๐™จ ๐™ค๐™› '๐Ÿด๐Ÿฌ๐™จ ๐™–๐™ฃ๐™™ ๐™š๐™–๐™ง๐™ก๐™ฎ '๐Ÿต๐Ÿฌ๐™จ ๐™…๐™–๐™ฅ๐™–๐™ฃ๐™š๐™จ๐™š ๐™๐™‘, ๐™–๐™ฃ๐™ž๐™ข๐™š ๐™–๐™ฃ๐™™ ๐™ข๐™–๐™ฃ๐™œ๐™– ๐™—๐™ช๐™ž๐™ก๐™ฉ ๐™–๐™ก๐™ฉ๐™š๐™ง๐™ฃ๐™–๐™ฉ๐™ž๐™ซ๐™š ๐™ฌ๐™ค๐™ง๐™ก๐™™๐™จ ๐™–๐™ฃ๐™™ ๐™ฅ๐™ช๐™จ๐™๐™š๐™™ ๐™—๐™ค๐™ช๐™ฃ๐™™๐™–๐™ง๐™ž๐™š๐™จ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ฅ๐™ง๐™ค๐™˜๐™š๐™จ๐™จ. ๐™๐™๐™š ๐™˜๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ค๐™ฃ ๐™—๐™ง๐™ž๐™ฃ๐™œ๐™จ ๐™ฉ๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง ๐™ข๐™ช๐™จ๐™ž๐™˜ ๐™ฉ๐™๐™–๐™ฉ ๐™›๐™ค๐™ช๐™ฃ๐™™ ๐™ ๐™ž๐™ฃ๐™จ๐™๐™ž๐™ฅ ๐™ž๐™ฃ ๐™š๐™ก๐™š๐™˜๐™ฉ๐™ง๐™ค๐™ฃ๐™ž๐™˜ ๐™–๐™ฃ๐™™ ๐™–๐™˜๐™ค๐™ช๐™จ๐™ฉ๐™ž๐™˜ ๐™ž๐™ฃ๐™จ๐™ฉ๐™ง๐™ช๐™ข๐™š๐™ฃ๐™ฉ๐™–๐™ฉ๐™ž๐™ค๐™ฃ, ๐™ค๐™›๐™ฉ๐™š๐™ฃ ๐™˜๐™ค๐™ข๐™—๐™ž๐™ฃ๐™ž๐™ฃ๐™œ ๐™จ๐™ฅ๐™ž๐™ง๐™ž๐™ฉ๐™ช๐™–๐™ก ๐™ค๐™ง ๐™š๐™ฃ๐™ซ๐™ž๐™ง๐™ค๐™ฃ๐™ข๐™š๐™ฃ๐™ฉ๐™–๐™ก ๐™ฉ๐™๐™š๐™ข๐™š๐™จ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ฅ๐™š๐™ง๐™˜๐™ช๐™จ๐™จ๐™ž๐™ซ๐™š, ๐™ซ๐™–๐™ง๐™ž๐™š๐™™ ๐™–๐™ฃ๐™™ ๐™๐™ž๐™œ๐™๐™ก๐™ฎ ๐™ง๐™š๐™›๐™ž๐™ฃ๐™š๐™™ ๐™จ๐™ฎ๐™ฃ๐™˜๐™ค๐™ฅ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™ค๐™› ๐™ฃ๐™ค๐™ฃ-๐™’๐™š๐™จ๐™ฉ๐™š๐™ง๐™ฃ ๐™ข๐™ช๐™จ๐™ž๐™˜๐™–๐™ก ๐™ฉ๐™ง๐™–๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ๐™จ.


When Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime.


Elsewhere, pioneering childrenโ€™s TV composer Chumei Watanabeโ€™s โ€˜Fushigi Songโ€™ (performed by a vocal group Korogi โ€˜72) offers a trippy and infectious groove with sonic similarities to Don Cherryโ€™s โ€˜Brown Riceโ€™; little-known jazz-funk library group Columbia Orchestra showcase the best of Tokyoโ€™s session musicians on โ€˜Hearts Beats - Theme for Andrew Glasgowโ€™; before lawyer-turned-composer Kan Ogasawara closes out the compilation with a dramatic flourish on โ€˜Gishin Ankiโ€™.


Following on from Time Capsuleโ€™s acclaimed deep-dive into the world of manga & anime synth-pop in 2022, this vinyl only collection is set to broaden and diversify an understanding of how soundtracks shaped the sound of new age music in Japan for a generation.

1

Korogi โ€˜73 - Fushigi Song

2

Yas-Kaz - Hei (Theme Of Shikioni)

3

Yoichiro Yoshikawa - Tassili N'Ajjer

4

Norihiro Tsuru - Farsighted Person

5

Geinoh Yamashirogumi - Theme Of Kaneda

6

Yoichiro Yoshikawa - Fiesta Del Fuego

7

Columbia Orchestra - Heart Beats / Theme For Andrew Glesgow

8

Kan Ogasawara - Gishin Anki

Various - TV, Anime & Manga New Age Soundtracks 1984-1993 | Time Capsule (TIME015) - main
Various - TV, Anime & Manga New Age Soundtracks 1984-1993 | Time Capsule (TIME015) - 1Various - TV, Anime & Manga New Age Soundtracks 1984-1993 | Time Capsule (TIME015) - 2Various - TV, Anime & Manga New Age Soundtracks 1984-1993 | Time Capsule (TIME015) - 3Various - TV, Anime & Manga New Age Soundtracks 1984-1993 | Time Capsule (TIME015) - 4
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