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Jon Hassell
Vernal Equinox
๐ผ ๐๐ค๐ช๐ฃ๐๐๐ฉ๐๐ค๐ฃ๐๐ก ๐ก๐๐ฃ๐๐ข๐๐ง๐ ๐๐ฃ ๐๐๐ฏ๐ฏ ๐๐ช๐จ๐๐ค๐ฃ ๐๐ฃ๐ ๐๐ญ๐ฅ๐๐ง๐๐ข๐๐ฃ๐ฉ๐๐ก ๐ข๐ช๐จ๐๐, "๐๐๐ง๐ฃ๐๐ก ๐๐ฆ๐ช๐๐ฃ๐ค๐ญ" (1977) ๐๐จ ๐ฉ๐๐ ๐๐ก๐๐ช๐ข ๐ฉ๐๐๐ฉ ๐ก๐๐๐ ๐ฉ๐๐ ๐๐ง๐๐ข๐๐ฌ๐ค๐ง๐ ๐๐ค๐ง ๐
๐ค๐ฃ ๐๐๐จ๐จ๐๐ก๐กโ๐จ ๐๐๐ค๐ฃ๐๐ โ๐๐ค๐ช๐ง๐ฉ๐ ๐ฌ๐ค๐ง๐ก๐โ ๐๐ค๐ฃ๐๐๐ฅ๐ฉ โ ๐ ๐ซ๐๐จ๐๐ค๐ฃ๐๐ง๐ฎ ๐ข๐๐ก๐๐๐ฃ๐ ๐ค๐ ๐๐ฃ๐๐๐๐ฃ๐ฉ ๐ฉ๐ง๐๐๐๐ฉ๐๐ค๐ฃ๐จ ๐๐ฃ๐ ๐๐ช๐ฉ๐ช๐ง๐๐จ๐ฉ๐๐ ๐จ๐ค๐ฃ๐๐ ๐ฉ๐๐ญ๐ฉ๐ช๐ง๐๐จ.
Blending his distinctively treated trumpet with African and Asian percussion, ambient electronics, and field recordings, Hassell created a sound world that was neither jazz nor world music but something entirely new. The albumโs lush, dreamlike atmosphere blurs geographical and temporal boundaries โ organic hand drums pulse beneath electronically altered horn tones, while drones and subtle synth layers stretch the music into deeply meditative spaces.
Tracks like "Blues Nile" and "Viva Shona" capture the essence of Hassellโs pioneering aesthetic: timeless and borderless, simultaneously ancient and futuristic. These compositions laid the groundwork for his later collaborations with Brian Eno, David Sylvian, and Ry Cooder, influencing generations of ambient, electronic, and experimental musicians.
"Vernal Equinox" remains a crucial document of late-20th-century sonic exploration โ a visionary blueprint for how sound can transcend genre and geography to create a shared, global musical language.
A1
Toucan Ocean
A2
Viva Shona
A3
Hex
A4
Blues Nile
B1
Vernal Equinox
B2
Caracas Night September 11, 1975


