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Space Art
Onyx
๐๐ง๐๐๐๐ฃ๐๐ก๐ก๐ฎ ๐ง๐๐ก๐๐๐จ๐๐ ๐๐ฃ 1977, "๐๐ฃ๐ฎ๐ญ" ๐๐ฎ ๐๐ฅ๐๐๐ ๐ผ๐ง๐ฉ ๐จ๐ฉ๐๐ฃ๐๐จ ๐๐จ ๐ ๐จ๐๐๐ฃ๐๐ฃ๐ ๐ข๐ค๐ข๐๐ฃ๐ฉ ๐๐ฃ ๐๐ง๐๐ฃ๐๐ ๐๐ก๐๐๐ฉ๐ง๐ค๐ฃ๐๐ ๐ข๐ช๐จ๐๐, ๐๐๐ฅ๐ฉ๐ช๐ง๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐ง๐ก๐ฎ ๐๐ฉ๐ข๐ค๐จ๐ฅ๐๐๐ง๐๐ ๐ฌ๐๐ซ๐ ๐ค๐ ๐จ๐ฎ๐ฃ๐ฉ๐-๐๐ง๐๐ซ๐๐ฃ ๐ ๐ค๐จ๐ข๐๐จ๐ ๐๐๐จ๐๐ค ๐๐ฃ๐ ๐๐ก๐๐๐ฉ๐ง๐ค๐ฃ๐๐ ๐๐๐ฏ๐ฏ.
The duo โ Dominique Perrier on synthesizers and Roger โBunnyโ Rizzitelli on drums โ deliver an album that bridges the worlds of Jean-Michel Jarre, Cluster, and Giorgio Moroder, combining crystalline synth melodies with pulsating motorik rhythms. Tracks like โOnyx,โ โNous Savons Tout,โ and โOde ร Claviusโ shimmer with analog warmth and futuristic optimism, embodying a period when electronic music was still wide-eyed and exploratory.
Built from ARP and Moog synthesizers, the albumโs textures range from ambient serenity to driving cosmic funk, anchored by Rizzitelliโs live percussion. The result is music that feels both human and mechanical โ a synthesis of rhythm and machine spirit.
"Onyx" remains a cornerstone of the European synth era โ visionary, melodic, and effortlessly timeless โ proof that Space Art were as vital to the sound of 1970s France as their contemporaries in the Berlin and Munich schools.
A
Onyx
B
Speedway




