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Takuro Okada
Konoma
๐๐๐ ๐ช๐ง๐ค ๐๐ ๐๐๐โ๐จ โ๐๐ค๐ฃ๐ค๐ข๐โ ๐ช๐ฃ๐๐ค๐ก๐๐จ ๐ก๐๐ ๐ ๐ ๐ฆ๐ช๐๐๐ฉ ๐จ๐ ๐๐ฉ๐๐๐๐ค๐ค๐ ๐ค๐ ๐จ๐ค๐ช๐ฃ๐ โ ๐๐๐ก๐๐๐๐ฉ๐, ๐ง๐๐๐ก๐๐๐ฉ๐๐ซ๐ ๐๐ฃ๐ ๐๐ง๐๐๐๐๐ช๐ก๐ก๐ฎ ๐ช๐ฃ๐๐ช๐ง๐ง๐๐๐, ๐๐๐ก๐๐ฃ๐๐๐ฃ๐ ๐ข๐๐ก๐ค๐๐ฎ, ๐จ๐ฅ๐๐๐ ๐๐ฃ๐ ๐ฉ๐๐๐ฉ๐๐ก๐ ๐๐๐ฉ๐๐๐ก.
Rooted in guitar-led composition, the album drifts between ambient folk, modern jazz sensibility and understated kosmische warmth. Okadaโs playing is light but intentional, allowing notes to linger and dissolve, supported by subtle rhythm, soft synths and organic textures that never overcrowd the frame.
Thereโs a strong sense of listening built into the music itself โ pauses matter as much as phrases, and repetition feels meditative rather than cyclical. The record invites close attention, rewarding patience with gentle harmonic shifts and emotional clarity.
โKonomaโ is a quietly confident work, intimate without fragility and exploratory without excess โ a deeply human album that thrives in stillness and reveals its depth over time.
A1
Mahidere Birhan
A2
Sunrise
A3
Nefertite
A4
Galaxy
B1
November Owens Valley
B2
Portrait Of Yanagi
B3
Love
B4
Acute Angle Black Button







