Biosphere

𝘼𝙧𝙘𝙩𝙞𝙘 𝙖𝙞𝙧, 𝙢𝙤𝙙𝙪𝙡𝙖𝙧 𝙢𝙪𝙧𝙢𝙪𝙧𝙨, 𝙖𝙣𝙙 𝙨𝙝𝙖𝙙𝙤𝙬𝙨 𝙤𝙛 𝙢𝙚𝙡𝙤𝙙𝙮 — The Way of Time 𝙞𝙨 𝘽𝙞𝙤𝙨𝙥𝙝𝙚𝙧𝙚 𝙖𝙩 𝙝𝙞𝙨 𝙢𝙤𝙨𝙩 𝙧𝙚𝙙𝙪𝙘𝙚𝙙 𝙖𝙣𝙙 𝙚𝙩𝙝𝙚𝙧𝙚𝙖𝙡, 𝙖 𝙛𝙡𝙤𝙖𝙩𝙞𝙣𝙜 𝙨𝙩𝙪𝙙𝙮 𝙞𝙣 𝙖𝙩𝙢𝙤𝙨𝙥𝙝𝙚𝙧𝙞𝙘 𝙨𝙞𝙢𝙥𝙡𝙞𝙘𝙞𝙩𝙮.

Released on AD 93, the album finds Norwegian composer Geir Jenssen extending his decades-long exploration of ambient music into new terrain: modular synths hum in near-stillness, rhythmic structure is almost absent, and melodic suggestions surface like memory fragments across a frozen lake.

There’s an undeniable sense of stillness here — not stasis, but suspended movement. Each track acts like a time capsule, patiently unfolding in low-resolution warmth, with gently corroded loops and decayed harmonics hovering at the edge of perception. Think *Autour de la Lune* meets *Substrata*, but even more distilled.

*The Way of Time* doesn’t demand attention — it quietly rearranges it. A record for liminal hours, empty rooms, and introspective drift. Essential for those who hear ambient not as background, but as architecture.