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John Cage, Luciano Berio, Ilhan Mimaroglu
Electronic Music
๐๐๐ง๐๐ ๐จ๐๐ข๐๐ฃ๐๐ก ๐ซ๐ค๐๐๐๐จ ๐๐ฃ 20๐ฉ๐-๐๐๐ฃ๐ฉ๐ช๐ง๐ฎ ๐๐ซ๐๐ฃ๐ฉ-๐๐๐ง๐๐ ๐ข๐ช๐จ๐๐ โ ๐
๐ค๐๐ฃ ๐พ๐๐๐, ๐๐ช๐๐๐๐ฃ๐ค ๐ฝ๐๐ง๐๐ค ๐๐ฃ๐ ๐๐ก๐๐๐ฃ ๐๐๐ข๐๐ง๐ค๐๐ก๐ช โ ๐๐ค๐ข๐ ๐ฉ๐ค๐๐๐ฉ๐๐๐ง ๐ค๐ฃ ๐ฉ๐๐๐จ ๐ข๐ค๐ฃ๐ช๐ข๐๐ฃ๐ฉ๐๐ก ๐๐ค๐ข๐ฅ๐๐ก๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐๐ก๐๐๐ฉ๐ง๐ค๐ฃ๐๐ ๐ข๐ช๐จ๐๐ ๐ค๐ฃ ๐๐ช๐ง๐ฃ๐๐๐ค๐ช๐ฉ.
Released at a time when the frontiers of sound were being radically redrawn, *Electronic Music* captures three distinct approaches to the manipulation of tone, texture, and space. Cageโs contribution explores silence, chance, and indeterminacy, dismantling the notion of composition itself. Berio, a master of electroacoustic collage, weaves together fragmented voices, processed tape, and spatial disorientation into a deeply human, almost narrative structure. Mimaroglu, the Turkish-American pioneer, pushes further into the territory of raw electronics and musique concrรจte, constructing dense, immersive sonic worlds from tape manipulation and noise.
The result is a landmark document in the history of experimental music โ a meeting point of three singular visions that defined the language of electronic composition in the 20th century. Even decades later, its daring spirit, radical innovation, and unrelenting curiosity remain strikingly fresh.
A1
Ilhan Mimaroglu - Agony
A2
John Cage - Fontana Mix
B
Luciano Berio - Visage




