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The Future Sound Of London
Accelerator
๐ผ ๐จ๐๐ข๐๐ฃ๐๐ก ๐ก๐๐ฃ๐๐ข๐๐ง๐ ๐ค๐ ๐๐๐ง๐ก๐ฎ ๐๐ ๐๐ก๐๐๐ฉ๐ง๐ค๐ฃ๐๐๐จ, โ๐ผ๐๐๐๐ก๐๐ง๐๐ฉ๐ค๐งโ ๐๐ฎ ๐๐๐ ๐๐ช๐ฉ๐ช๐ง๐ ๐๐ค๐ช๐ฃ๐ ๐๐ ๐๐ค๐ฃ๐๐ค๐ฃ ๐จ๐ฉ๐๐ฃ๐๐จ ๐๐จ ๐ค๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐๐๐๐๐ฃ๐๐ฃ๐ ๐๐ก๐๐ช๐ข๐จ ๐ค๐ ๐ฉ๐๐ ๐ง๐๐ซ๐ ๐๐ง๐ โ ๐ ๐๐๐ง๐ซ๐๐ ๐๐ก๐๐ฃ๐ ๐ค๐ ๐ฉ๐๐๐๐ฃ๐ค, ๐๐ง๐๐๐ ๐๐๐๐ฉ, ๐๐๐๐ ๐๐ฃ๐ ๐๐ข๐๐๐๐ฃ๐ฉ ๐๐ญ๐ฅ๐ก๐ค๐ง๐๐ฉ๐๐ค๐ฃ.
Released in 1991 on Jumpin' & Pumpinโ, the album introduced the world to FSOLโs kaleidoscopic vision of electronic music โ cerebral yet visceral, club-ready yet introspective. Its lead single "Papua New Guinea" became an instant classic, marrying haunting vocal samples with rolling breaks and ethereal pads in one of the most iconic tracks of the early โ90s.
Across "Accelerator", Garry Cobain and Brian Dougans expand the palette of rave culture, incorporating Detroit techno precision, ambient textures, and cinematic atmosphere. Tracks like "Expander" and "Calcium" radiate a sense of vastness, blending mechanical rhythm with organic beauty in ways that anticipated the evolution of IDM and ambient techno.
Over three decades later, "Accelerator" still sounds astonishingly fresh โ a bold, pioneering statement that bridged the underground and the avant-garde, helping redefine what electronic music could be.
A1
Expander
A2
Stolen Documents
A3
While Others Cry
A4
Calcium
A5
It's Not My Problem
B1
Papua New Guinea
B2
Moscow
B3
1 In 8
B4
Pulse State
B5
Central Industrial




