Mars

𝙈𝙖𝙧𝙨’ “𝙏𝙝𝙚 𝘾𝙤𝙢𝙥𝙡𝙚𝙩𝙚 𝙎𝙩𝙪𝙙𝙞𝙤 𝙍𝙚𝙘𝙤𝙧𝙙𝙞𝙣𝙜𝙨 𝙉𝙔𝘾 1977–1978” 𝙛𝙞𝙭𝙚𝙨 𝙩𝙝𝙚 𝙨𝙝𝙤𝙧𝙩-𝙗𝙪𝙩-𝙛𝙤𝙧𝙢𝙖𝙩𝙞𝙫𝙚 𝙗𝙡𝙖𝙨𝙩 𝙤𝙛 𝙤𝙣𝙚 𝙤𝙛 𝙣𝙤 𝙬𝙖𝙫𝙚’𝙨 𝙢𝙤𝙨𝙩 𝙟𝙖𝙜𝙜𝙚𝙙, 𝙪𝙣𝙘𝙤𝙣𝙩𝙖𝙞𝙣𝙚𝙙 𝙤𝙪𝙩𝙛𝙞𝙩𝙨 — 𝙖 𝙝𝙖𝙣𝙙𝙛𝙪𝙡 𝙤𝙛 𝙨𝙩𝙪𝙙𝙞𝙤 𝙩𝙖𝙠𝙚𝙨 𝙩𝙝𝙖𝙩 𝙨𝙩𝙞𝙡𝙡 𝙧𝙞𝙘𝙤𝙘𝙝𝙚𝙩 𝙬𝙞𝙩𝙝 𝙛𝙪𝙧𝙮 𝙖𝙣𝙙 𝙙𝙚𝙧𝙖𝙣𝙜𝙚𝙙 𝙘𝙝𝙖𝙧𝙢.

The band’s signature collision of scrape-and-screech guitars, unstable rhythms and Lydia Lunch–era downtown volatility is fully intact — wild, skeletal, and swerving between collapse and revelation.

As a document, it captures the purest distillation of Mars’ brief existence: confrontational, free-falling and utterly singular within NYC’s no wave detonation.