By continuing your navigation on this website, you accept the use of cookies for statistical purposes.
Rhythm & Sound, Tikiman
Music A Fe Rule
๐๐ค๐ง ๐๐ฃ๐ฎ๐ค๐ฃ๐ ๐ฌ๐๐ค ๐ ๐ฃ๐ค๐ฌ๐จ ๐ฉ๐๐๐จ๐ ๐ง๐๐๐ค๐ง๐๐จ ๐๐ก๐ง๐๐๐๐ฎ - ๐ฎ๐ค๐ช ๐ฌ๐ค๐ฃ'๐ฉ ๐ฃ๐๐๐ ๐ข๐ช๐๐ ๐ค๐ ๐ ๐จ๐๐ง๐ข๐ค๐ฃ ๐๐ง๐ค๐ข ๐ช๐จ ๐๐๐ค๐ช๐ฉ ๐ฉ๐๐๐๐ง ๐จ๐ฉ๐๐ฉ๐ช๐ง๐ ๐๐ฃ๐ ๐๐ง๐๐๐ฉ๐ฃ๐๐จ๐จ. ๐๐ ๐ฎ๐ค๐ช ๐๐ค๐ฃ'๐ฉ ๐ ๐ฃ๐ค๐ฌ ๐ฉ๐๐๐ข - ๐๐ช๐๐ ๐ฎ๐ค๐ช'๐ง๐ ๐๐ฃ ๐๐ค๐ง ๐ ๐ฉ๐ง๐๐๐ฉ.
Rhythm & Sound was the project that Mark Ernestus and Moritz von Oswald turned to after their seminal series of recordings as Basic Channel came to an end. From 1997 until 2002 the label released seven 12" EP's which pretty much defined the direction so much electronic music would turn to in its wake - and it still continues to exert a colossal influence, for better or worse. It's perhaps hard to remember over a decade later just how little these productions sounded like anything that preceded them - taking the essence of dub and breaking it down until all that was left was a vapour trail of melody and a colossal bass echo.
We could spend an hour listing all the music that basically came along and copied this template in the intervening years but, the thing is, none of what followed comes anywhere near these productions in terms of substance, none of it has aged in the same way.
S
Music A Fe Rule (Part 1)
B
Music A Fe Rule (Part 2)







