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Cortex
Inedit
๐พ๐ค๐ง๐ฉ๐๐ญโ๐จ ๐ก๐ค๐จ๐ฉ ๐ญ๐ต๐ณ๐ต ๐ฉ๐ง๐๐๐ ๐จ, ๐ง๐๐๐ค๐ง๐๐๐ ๐๐ฃ ๐ ๐๐๐ง๐ฃ-๐จ๐ฉ๐ช๐๐๐ค ๐ฃ๐๐๐ง ๐๐๐ง๐๐จ, ๐ง๐๐จ๐ช๐ง๐๐๐๐ ๐ฎ๐๐๐ง๐จ ๐ก๐๐ฉ๐๐งโ๐๐๐๐ฉ๐ช๐ง๐๐ฃ๐ ๐ฉ๐๐ ๐ก๐๐๐๐ฃ๐๐๐ง๐ฎ ๐จ๐๐ข๐ฅ๐ก๐ ๐ช๐จ๐๐ ๐๐ฎ ๐ฟ๐๐ข๐จ๐ค ๐๐ฃ๐ ๐๐ช-๐๐๐ฃ๐.
In 1977, it was love at first sight when Mireille and I bought a long 18th-century farmhouse in a remote hamlet in the Seine-et-Marne department called Noisement.
The barn, with its majestic secular exposed beams, became an original recording studio where Alain Gandolfi settled behind the console.
Free of any contractual obligations, between two advertising commissions, a regular jazz program on a Radio France FM station, and the recording of jingles and a few albums by neighboring musician friends such as Siegfried Kessler, Rosalie Dubois and Claude Giacomi, we recorded some twenty CORTEX tracks here, which would remain unreleased long after our separation in 1981.
A1
I Heard A Sigh
A2
Back To My World
A3
Said I Don
A4
A Winning Team
A5
High On The Funk
A6
Bring My Bonnie Back
B1
Monin
B2
Stand And Move
B3
Hannibal March
B4
The Sky Is Grey I'm So Blue
B5
Maรฏlys
B6
Emily







